Monthly Archives: June 2018

CFP: Culture & International History VI: Visions of Humanity, Berlin 6-8 May 2019

The conference Culture and International History VI will take place from 6 – 8 May 2019 at the John F. Kennedy Institute, Freie Universität Berlin. The conference marks the 20th anniversary of the symposium cycle that began in 1999 and has since taken place in Wittenberg, Frankfurt, Cologne, and Berlin; key themes and contributions have been published in Berghahn Books’ series Explorations in Culture and International History (Oxford, New York, since 2003).

“Visions of Humanity” seeks to address the growing interest in historical ideas, statements, policies and actions invoking trans-, international and global audiences in the name of common values, rights and concerns. These may be manifest in activism relating to human rights, policies invoking humanitarian action, cultural output imagining trans-border societies, ideas wedding technology and the human, international protest against mechanisms of marginalization, cross-cultural canon-building (“the humanities”) and attempts to define “humanity” in academic disciplines. International history is full of people and organizations invoking visions of humanity in an effort to create common notions of identity (“we”) based on international and global reference points. But who constituted “we”? What made “us” similar? Who was part of humanity, who wasn’t? What were the mechanisms of inclusion and exclusion in humanity? And who defined and contested these criteria and decisions?

The symposium will focus on visions of humanity as they crystallize in the history of diplomatic and informal fora as well as in the context of specific debates. Specifically, the conference seeks to compare 20th-century approaches in North American and transatlantic history to other regions and earlier periods. The range of possible topics includes but is not limited to:

  • The human rights diplomacy of indigenous people
  • Arts, international relations and visions of humanity
  • Humanity and the humanities in international exchange
  • The concept of humanity in diplomatic and legal parlance
  • Minority rights vs. universal rights in international history
  • Cultural diplomacy in the name of human rights & humanitarian action

We invite students and scholars of International History, Modern History, Area Studies, Theater Studies, Cultural Studies, Musicology, Art History, Psychology, Social Science, Anthropology and related fields to submit proposals before July 8, 2018. Young scholars are particularly encouraged to apply.

Proposals should include 1. a brief cover letter, 2. the title of the paper and an abstract of max. 500 words, 3. a one-page CV (all in one pdf-file).

Proposals for panels will also be considered (chair/commentator, three panelists). Pending approval, individual speakers may apply for funds covering the cost of travel and accommodation and should mention this in their application. Participants who have an interest in the topic and would like to attend the conference without delivering a paper are welcome and should contact the organizers.

Please submit proposals and questions to: verena.specht@fu-berlin.de

 

CFP: Canadian Society for Renaissance Studies panels at RSA, Toronto, 17-19 March 2019

The Canadian Society for Renaissance Studies / Société canadienne d’études de la Renaissance (CSRS/SCÉR) will be sponsoring up to four panels at the 2019 meeting of the Renaissance Society of America, in Toronto, 17-19 March, 2019.

We invite proposals for individual papers and panels in any topic that falls within our period, from all disciplines.

Proposals must be submitted by July 10, and decisions will be made by the end of July. Any proposals that do not fit into the CSRS/SCÉR panels may be submitted to the general RSA submissions website, which closes August 15.

Anyone making a proposal must be a member of CSRS/SCÉR, and must also be a member of RSA in 2019.

Please send proposals to:

Paul Dyck
Professor of English
Canadian Mennonite University
pdyck@cmu.ca

Individual paper proposal:

  • paper title (15-word maximum)
  • abstract (150-word maximum) abstract guidelines
  • curriculum vitae (.pdf or .doc attachment)
  • PhD completion date (past or expected)
  • general discipline area (History, Art History, Literature, or other)
  • keywords
  • full name, current affiliation, and email address
  • a/v requests

Panel proposal:

  • description of the panel as a whole (maximum 150 words)
  • panel title (15-word maximum)
  • panel keywords
  • a/v requests
  • panel chair
  • general discipline area (History, Art History, Literature, or other)
  • individual paper requirements, as above

CFP: Crusades: Categories, Boundaries and Horizons panel at ANZAMEMS 2019

The theme for the 2019 Australian and New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS) conference is Categories, Boundaries, Horizons. This offers an excellent opportunity to explore medieval and modern perceptions of the crusades and crusading, examine the implications of categories and boundaries in our field, and discuss the future horizons of the field in a series of linked panels.

Topics may include, but are not limited to:

  • Boundaries and the liminal in crusade sources
  • Categories and boundaries in scholarship (e.g. restriction, anachronism)
  • Future horizons of crusades scholarship

These sessions are organised by Megan Cassidy-Welch (University of Queensland) and Beth Spacey (University of Queensland). If you would be interested in applying to give a 20-minute paper as part of these sessions, please send a paper title and a 200-word abstract to Beth Spacey (beth.spacey@gmail.com) by 31 July 2018.

THE CONFERENCE

The twelfth biennial ANZAMEMS Conference will be held in Sydney, Australia, 5-8 February 2019 at the Camperdown Campus of the University of Sydney. More information is available here: https://anzamemsconference2019.wordpress.com/.

Download (PDF, 77KB)

CFP: Boundaries of the Law panel at ANZAMEMS 2019

Proposals for 20-minute papers are invited for an interdisciplinary panel on boundaries of the law in medieval and early modern societies, to be convened at the ANZAMEMS 2019 conference, 5-8 February 2019, University of Sydney. The conference theme is Boundaries, Categories, Horizons.

Conventional approaches to legal history often aim to fix the parameters of any given legal system, and to clearly demarcate ‘law’ from ‘non-law’. Such approaches can be confounded by the realities of medieval and early modern societies, which were characterized by legal ambiguities, blurred boundaries, conflicting jurisdictions and contested authorities. This panel seeks to use interdisciplinary approaches, to ask new questions of familiar sources, and to use new sources and methods to productively explore tensions, complexities and conflict in the ways law was defined, enforced, experienced and resisted in medieval and early modern societies.

Topics and themes could include (but are not limited to):

  • Breaking the boundaries of conventional legal history – new sources and methodologies for studying law, legal cultures and society
  • Liminal spaces and overlapping jurisdictions
  • Textual and oral/aural authorities and knowledges
  • Gendered experiences of the law
  • Multilingualism and languages of the law
  • Blurred boundaries between law and custom
  • Literary representations of law and legal culture
  • Conflicting or inter-penetrating codes and legal cultures, including customary, civil and common law, and Christian, Jewish and Islamic traditions
  • The legal, the extra-legal and the illicit
  • Advocacy and legal practice by lay people, semi-professionals and professionals

This session is organized by Amanda McVitty (Massey University). Please send proposals for 20-minute papers to e.a.mcvitty@massey.ac.nz by 16 August 2018.

Proposals should include:

  • Presenter name
  • Affiliation (if relevant)
  • Paper title and a 200-word abstract
  • Any day of the conference on which you CANNOT present
  • AV requirements other than standard PowerPoint + projector

The twelfth biennial ANZAMEMS Conference will be held in Sydney, Australia, 5-8 February 2019 at the Camperdown Campus of the University of Sydney. For more information see https://anzamemsconference2019.wordpress.com/

This panel is organized in accordance with the ANZAMEMS Equity & Diversity guidelines: https://anzamemsconference2019.wordpress.com/equity-diversity/

Call for submissions for Parergon journal

We invite established scholars, early career academics and advanced postgraduates to submit research articles for publication in Parergon, the journal of the Australian and New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS).

Parergon is an international, double-blind peer-reviewed journal that publishes on all aspects of medieval and early modern literature, history, arts and culture. We are especially interested in material that crosses traditional disciplinary boundaries and takes new approaches. Parergon is published as two issues per year; one of these is open-themed and the other is a guest-edited Special Issue.

Parergon is edited from the Centre for Medieval and Early Modern Studies at The University of Western Australia, is fully refereed, and has an international Advisory Board. Parergon asks its authors to achieve international standards of excellence. Articles should be substantially original, advance research in the field, and have the potential to make a significant contribution to the critical debate. We do not accept submissions that have already been published elsewhere.

Parergon is included in the Clarivate Analytics Master Journal List of refereed journals and in the European Reference Index for the Humanities (ERIH), and is indexed for nine major database services, including ABELL, IMB and Scopus. Content is available in electronic form as part of Project MUSE (From Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008).

This is an open call and manuscripts can be submitted at any time. For further information on Parergon and full submission guidelines, please visit: https://parergon.org/

Please feel free to print and circulate our PDF call for papers:

Download (PDF, 187KB)

CFP New Book Series: Spatial Imageries in Historical Perspective (Amsterdam University Press)

This new series from Amsterdam University Press is looking for interdisciplinary contributions that focus on the historical study of the imagined space, or of spaces and places  as sensorial, experiential or intellectual images, from the interior to the landscape, in written, visual or material sources. From (closed) gardens and parks to cabinets, from the odd room to the train compartment, from the façade to the prison cell, from the reliquary to the desk, a variety of spaces in the shape of imageries and images unveils historical attitudes to history, to the object, to the other  and the self and presents a subject that experiences, acts, imagines and knows. Spatial imageries and images in this sense constitute a prominent theme in various fields within the Humanities, from museum studies, intellectual history and literature to material culture studies, to name but a few.

This series therefore addresses a broad audience of scholars that engage in the historical study of space in this sense, from the Early Middle Ages to the Recent Past in literature, art, in material culture, in scholarly and other discourses, from either cultural and contextual or more theoretical angles.

chronological scope: Early Middle Ages – Recent Past

Series Editor
Dominique Bauer, University of Leuven, Belgium (Dominique.bauer@kuleuven.be)

Proposals Welcome
The series welcomes scholarly monographs and edited volumes, between 55,000 and 120,000 words, in English by both established and early career researchers.

Further Information
For questions or to submit a proposal, contact Commissioning Editor Katrien de Vreese (K.de.Vreese@aup.nl).

CFP: Material Affects: Theorizing Bodies and Minds in Medieval North Atlantic Cultures

Please find below a call for papers for a seminar that is a part of the second meeting of a conference with an innovative format. IONA: Seafaring focuses on the multicultural early medieval islands of the North Atlantic (hence, IONA) and is “Designed less around traditional conference presentations and more as a ‘workspace,’ IONA: Seafaring is designed to provide time and space for nascent and developing work, intellectual risk-taking, collaboration and cooperation”.

IONA will be held at Simon Fraser University in Vancouver, from 11-13 April 2019. As part of the conference this seminar, organized by Erin Sweany, Rachel Anderson, Kristen Mills, and Margie Housley, will focus on minds, bodies, and theoretical inquiry.

Scholars studying medieval bodies and minds have encountered intersecting and overlapping questions in recent years. Physical and phenomenological experience are, to some extent, inextricable. Much scholarship on emotions has focused on the ways that feelings are embodied, through gesture, somatic response, and emotional performance. Embodied experience, likewise, is inextricable from socially- and culturally- constructed ideas — and feelings — about bodies, space, and being. Nor can the material body be removed/overlooked in our readings of texts: embodied experience of health and dis/ability, and more. Theorists such as Sara Ahmed, Elaine Scarry, and Judith Butler have shown that embodied experience is inseparable from internal/emotional experience and vice versa. At the same time, approaches to medieval minds and bodies have faced similar difficulties: methodological approaches in the sciences and social sciences are often separated from the humanities, while historicist, materialist, and philological approaches to the medieval world have often been positioned in opposition to critical theory.

Just as bodies cannot be separated from minds, and the material cannot be extracted from the phenomenological, we view history, science, and theory as intimately connected. This seminar seeks to build on and deepen this foundation with a range of approaches to feelings and bodies in the medieval North Atlantic. How can critical theory work with historicist and scientific approaches to medieval literature and culture? How can we effectively employ non-humanities methodologies in the humanities? How do these approaches shape, and how are they shaped by, feminist and queer discourses in medieval studies and across the humanities? How can medieval literary and cultural studies allow us to rethink theoretical and methodological tools within and beyond the humanities? We hope to consider new theoretical approaches, more “traditional” methodological approaches, and papers that bridge the two. Proposed papers might fall into the following thematic strands:

– Interiority and embodied affects
– Queer/feminist approaches to body and mind
– Disability/non-normativity in physical and emotional states
– Intersections of affect, gender, the non-human, race, etc.
– Historicism and anachronism in medieval studies
– Spirituality as affective and embodied experience
– Comparative literary approaches (e.g. Anglo-Saxon, Norse, and Celtic, or comparative approaches across the medieval world)
– Using science/social science methodologies such as (but not limited to): Actor- Network Theory, New Materialisms, Medical Humanities, and Systems Theory

We invite proposals from scholars working in all disciplines. Please send 250-word abstracts to Erin Sweany at esweany@indiana.edu by 1 July, 2018.
https://www.sfu.ca/english/iona/cfp/material-affects.html

For more information on IONA: https://www.sfu.ca/english/iona.html

Public lecture: From Melancholy to Euphoria and More: Visual Representation of Emotions in Persian Illustrated Manuscripts

The Grimwade Centre for Cultural Materials Conservation presents a free Lecture by Dr Stefano Carboni, director of the Art Gallery of Western Australia:

From Melancholy to Euphoria and More: Visual Representation of Emotions in Persian Illustrated Manuscripts

6pm-7pm Wednesday 27 June at the University of Melbourne

The common perception about Persian miniature painting – better described as book illustration because almost invariably it has a textual, literary or oral context – is that it is elegant, colourful, rather formal in composition, and overall restrained in the way the characters are emotionally involved in a particular moment of the story. Persian illustrators, however, had a clear set of tools and visual tropes to convey feelings such as surprise, love, grief, fear, heroism in the face of death, and many more. Many of the stories told in poetic works by Firdausi, Jami and Nizami, all of which were often illustrated, are heavily charged with impossible love, death-defying trials, heroic quests, and mystic ardour: the written language, often memorized by the reader, is the protagonist while the visual image provides in some way an oasis, a respite for the eye, breaking away from the incessant emotional narrative of the verses. A great chapter for the visual representation of emotions, however, was written during the Ilkhanid (Mongol) period in Iran in the 14th century, a time during which all pictorial rules – if they previously existed – were subverted and we can witness a full range of demonstrative engagement with the viewer.

This lecture is part of the From Melancholy to Euphoria: The Materialisation of Emotion in Middle Eastern Manuscripts Symposium, made possible by support from the Australian Research Council Centre of Excellence for the History of Emotions and the Crescent Foundation. Full symposium details at: http://go.unimelb.edu.au/2ct6

Free lecture. All welcome. Bookings essential. For full details and registration: http://go.unimelb.edu.au/6p56

Entries now open for ANZAMEMS Publication Prizes

Entries for ANZAMEMS’ two major biennial publication prizes are now open and will close on 30 September 2018. Prize-winners will be announced at the ANZAMEMS 2019 conference in Sydney, Australia. An overview of each prize is provided below. Please visit the ANZAMEMS website for full criteria and submission instructions: http://anzamems.org/?page_id=8#PM

Philippa Maddern ECR Publication Prize

The Philippa Maddern ECR Publication Prize is awarded to an Early Career Researcher (ECR) for the best article-length scholarly work in any discipline/topic falling within the scope of medieval and early modern studies, published within the previous two years.

Philippa Maddern (1952–2014) was Professor of History at The University of Western Australia, Director of the ARC Centre of Excellence for the History of Emotions, an ANZAMEMS stalwart, and an active member of the Association from its inception. Philippa contributed enormously to the development of medieval and early modern studies, both in Australia and globally. She gave great service as an office bearer of ANZAMEMS, serving in a range of capacities on the committee including many years as its Treasurer. Philippa was a great champion of researchers embarking on academic careers and ANZAMEMS is proud to establish a Publication Prize for Early Career Researchers in her honour.

Patricia Crawford Postgraduate Publication Prize

The Patricia Crawford Postgraduate Publication Prize will be awarded to a postgraduate student for the best article-length scholarly work in any discipline/topic falling within the scope of medieval and early modern studies, published within the previous two years.

Patricia Crawford (1941–2009) was Professor Emerita of History at The University of Western Australia. A pioneering feminist historian, she is remembered as a leading scholar of early modern England whose work brought new depth to the study of women’s lives and thereby transformed understanding of the period. Trish was internationally recognised and served The University of Western Australia, her discipline, and ANZAMEMS with distinction. An active member of ANZAMEMS and the Parergon Editorial Committee, Trish was a scholar passionate about collaboration, and a mentor of extraordinary generosity, and ANZAMEMS is delighted to establish a Publication Prize for postgraduate students in her honour.

Symposium: From Melancholy to Euphoria: The materialisation of emotion in Middle Eastern Manuscripts

Symposium: From Melancholy to Euphoria: The materialisation of emotion in Middle Eastern Manuscripts

Date: Wednesday 27th and Thursday 28th June
Venue: The University of Melbourne

This symposium will examine the relationship between materiality, the textual content, and the emotional resonance that is elicited by those engaging with the texts. Taking the various manifestations of love, both religious and secular, depicted within these texts, and linking these to the great Persian stories told in text and music, this seminar will explore how a deep understanding of the text and the depiction of the stories within traverses an emotional continuum from melancholy to euphoria.

 

Presenters:
Associate Professor Mandana Barkeshli, Dr Stefano Carboni (Director of Art Gallery of Western Australia), Prof Amir Zekrgoo (Professor of Islamic & Oriental Arts Department of Applied Art & Design, IIUM), and local and international experts.

The program includes a Public Lecture by Dr Carboni, ‘The materialisation of emotion in Islamic illustrated manuscripts’; Persian musical performance with Timothy Johannessen; a poetry recital with Professor Amir Zekrgoo; and Sama dance with Samira Khonsari.

This symposium is supported by the Australian Research Council Centre of Excellence for the History of Emotions and the Crescent Foundation. Full symposium details and registration details at: http://go.unimelb.edu.au/2ct6