Daily Archives: 1 March 2017

Fears and Angers: Historical and Contemporary Perspectives – Call For Papers

Arts Two Building, Mile End Campus, Queen Mary University of London
19–20 June 2017

According to the wheel of emotions created by the psychologist Robert Plutchik in 1980, angry and fearful emotions are diametrically opposed to each other, as approach and avoidance responses respectively to harmful stimuli.

Plutchik’s is one of many different models suggesting the existence of certain ‘basic’ or ‘primary’ emotions. Such lists almost always include both fear and anger. Historically, fearful and angry emotions have been related to each other in different ways – sometimes opposed, sometimes complementary, and sometimes in another way. For Thomas Aquinas, for instance, ira is alone among the passions in having no contrary.

Although basic emotion theorists tend to treat ‘fear’ and ‘anger’ as singular emotions, even Plutchik’s wheel includes three different intensities for each emotion – from annoyance to rage and from apprehension to terror. Historians tend to be more attuned to cultural specificities of emotional language, concepts and expression, hence the emphasis in this conference on ‘fears’ and ‘angers’ in the plural to encourage a wide range of papers on all sorts of fear-like and anger-like feelings and behaviours in different cultures and periods.

The conference aims to bring humanities scholars of all periods into conversation with each other and with experts in the contemporary study of emotions, including neuroscientists, psychologists, philosophers, and linguists.

Call for Papers

Papers can address either a single emotion in the fearful or angry categories, or examine the relationship between the two. Possible topics could include:

  • The varieties of fear – from anxiety and angst to mortal fear and terror. What were the objects and causes of fearful emotions in different times and places?
  • The varieties of anger – from annoyance and irritation to ire, vengeance, fury and rage. The different objects and causes of angry emotions.
  • The history of terms and concepts for different fearful or angry emotions.
  • Visual and literary representations.
  • Material culture and emotions.
  • Theories of fearful and angry emotions in the histories of science, medicine, philosophy, theology, and other learned discourses.
  • The relationships between fearful and angry emotions. Does one cause the other? Are they complementary or opposite?
  • What historical and contemporary approaches to fear or anger can learn from each other.
  • Historical and contemporary debates about the number and identity of the so-called basic or primary emotions.
  • Terror and rage as political emotions (past and present).

‘Fears and Angers: Historical and Contemporary Perspectives’ will extend over two days, including plenary sessions by distinguished invited speakers, Round Table discussion groups, and numerous panels consisting of three 20 minute papers with discussion. One or more refereed publications of essays based on proceedings are expected.

Paper Proposals

  • For individual paper proposals (20 minutes), individuals should submit a paper title, abstract (c. 250 words), name, brief biography (no more than 100 words), institutional affiliation and status, and contact details.
  • For panel proposals, the organiser of the panel should submit the same information for each of the three speakers, and the name of the person to chair the panel.

Please send the proposals to emotions@qmul.ac.uk and Ms Pam Bond (pam.bond@uwa.edu.au) (CHE) by 17 March, 2017.

ConferenceCommittee

  • Dr Elena Carrera (Queen Mary, University of London)
  • Professor Thomas Dixon (Queen Mary, University of London)
  • Evelien Lemmens (Queen Mary, University of London)
  • Professor Andrew Lynch (The University of Western Australia)
  • Dr Helen Stark (Queen Mary, University of London)
  • Dr Giovanni Tarantino (The University of Western Australia)

Love: Art of Emotion 1400-1800 Exhibition @ NGV and Master Classes @ The University of Melbourne

Love: Art of Emotion 1400-1800
Opens 31 March, Runs until 18 June
NGV International, Melbourne

More info: http://www.ngv.vic.gov.au/exhibition/love

Love: Art of Emotion 1400–1800
draws upon the NGV’s diverse permanent collection to explore the theme of love in art, and the changing representations of this complex emotion throughout the early modern period in Europe.

While popular conceptions of love tend frequently to focus upon romantic love, Love: Art of Emotion explores love’s varied manifestations across the realms of human experience, including familial relationships, religious devotion, friendship, altruism, patriotism, narcissism, materialism and nostalgia. The exhibition presents depictions of love’s many variations in painting, sculpture, prints and drawings, as well as non-representational and functional objects such as costume, furniture and religious artefacts.

Featuring more than 200 works from the NGV’s International Collection, some of which have never been displayed before, the exhibition demonstrates the balance between modest and grandiose, civic and domestic, micro and macro, from Vivarini’s grand-scale, much-celebrated painting The Garden of Love to tiny pieces of jewellery, worn against the body as love tokens or in memoriam. Through these diverse objects and images, the exhibition explores notions of public display and private emotion, ostentation and intimacy, of performance and of feeling.

The exhibition also considers love in relation to its associated emotions such as desire, wonder, ecstasy, affection, compassion, envy, melancholy, longing and hope, as well as the ways in which these combine and intersect. Bringing together a diverse array of works from the Medieval to the Romantic period, Love: Art of Emotion examines the shifting, multifaceted expressions of this rich and perennially relevant subject.

There will be a series of masterclasses associated with this exhibition. Information about these events can be found here: http://alumni.online.unimelb.edu.au/love2017

This exhibition is produced in collaboration with the ARC Centre of Excellence for the History of Emotions, The National Gallery of Victoria and The University of Melbourne.