Daily Archives: 26 May 2016

Associate Professor Lynn Ramey, The University of Sydney Free Public Lecture

“Learning and Researching Medieval Culture in an Immersive Environment: Recreating St Brendan’s Voyage through the Digital Humanities,” Associate Professor Lynn Ramey (Vanderbilt University)

Date: Wednesday 8 June, 2016
Time: 5:00-6:30pm
Venue: SOPHI Common Room, Brennan MacCallum Building (8th floor), The University of Sydney
RSVP: Please email your RSVP to sahar.amer@sydney.edu.au promptly should you wish to attend

The lecture will be followed by a small reception.

Study abroad is a time-tested and popular solution for learning language and culture. Unfortunately for those of us studying the past, immersion is no longer an option. Professor Ramey’s work looks at the precedents for and advantages of creating historical immersive environments using a video game engine. With the Anglo-Norman tale of St. Brendan’s Voyage as a setting, our game investigates the research question of representing time and space in way that may allow us to better understand the different perception of these concepts in the pre-Modern era. In addition, we look at the ways that Anglo-Norman can be learned more effectively in context in an immersive environment.


Lynn Ramey is Associate Professor of French at Vanderbilt University, USA. Her research centres on pre-modern cultural interactions between the Christian and Muslims worlds. Her most recent book is entitled Black Legacies: “Race” and the European Middle Ages (Gainesville: University Press of Florida, 2014; paperback edt. 2016). She is currently working on a series of video games in Unity that will allow users to play through moments of cultural interaction as medieval travellers encountered other peoples for the first time.

Special Issue of JEMS: Gardens as Laboratories – Call For Papers

Special Issue for: Journal of Early Modern Studies (ZetaBooks), vol. 6/1 (Spring, 2017)

Title of the volume: Gardens as Laboratories. The History of Botany through the History of Gardens

Deadline: October 1, 2016

After having undergone the undeserved condition of third excluded during the Middle Ages, the studies of flora experienced a new crucial consideration during the Renaissance, when the discovery of the New World brought in Europe an amount of new items (and especially anomalies and ambiguities), which undermined the accepted systematization of nature. Along the development of a crisis in the traditional systems of classifications, a new effort in collecting and disseminating knowledge flourished, resulting in a few important cultural achievements. Botanical practices developed as a central subject through both the request of collecting and the reproduction of plants, ultimately contributing in the epistemological ferments of the Renaissance and early modernity for reconstructing the ontological frontiers of nature under a new light – and sometimes reorganizing nature from a vegetal point of view, or using plants as literary model to portray human societies.

The goal of this volume is to delve into the status of botanical experiences through a number of papers focusing on the effort in collecting, gardening, and achieving botanical research, a set of practices involving a wide range of men and women – botanists, natural philosophers, literate, collectors, directors of gardens, erudite, book publishers, and travelers – drawing attention to vegetal items and making vegetation an ideal term of naturalistic knowledge.

The volume is open to both re-elaborated papers presented at the International Conference Manipulating Flora, and to anyone else who wants to submit unpublished works on this topic.

Please, contact the invited editors, Fabrizio Baldassarri (fabrizio.baldassarri@gmail.com) and Oana Matei (oanamatei@yahoo.com) for additional information.

Publishing steps: Papers must be submitted by October 1, 2016, and will be sent to two double-blind peer-reviewers; referee’s comments are due by December 1, 2016; the final submission is due by January 31, 2017. The edited volume will be published by March 2017.

General information and norms: Papers must be around 8000 words in lenght (notes included), with an abstract of 500 words maximum, and 5 keywords. Images can be published (b/w), with a minimum resolution of 300 dpi. All images must have a valid copyright. For each image added, please consider to remove 500 words from your paper.

Information for stylistic appearance and editorial norms: http://www.romanian-philosophy.ro/newsletter/pages/Guidelines%20for%20Authors.pdf

Please see the Manipulating Flora website for more information.